Monday | - | 2:30pm - 7:00pm |
Thuesday to Friday | 10:00am - 12:00am | 2:30pm - 7:00pm |
Saturday | 10:00am - 12:00am | 2:30pm - 6:00pm |
Closing at 18:00 the eve of public holidays.
Closed on public holidays.
Available by appointment.
Une cafetière en porcelaine, Joseph Hannong, vers 1776-1781
A mustard pot in faience, Joseph Hannong, between 1765-1773/74
Une assiette en faïence, Joseph Hannong, vers 1765-1770.
Pelle à tarte en argent, Frédéric Joachim Kirstein, 1819-1838.
Un étui de cigarettes en fer à motifs damas datant du début du XXe siècle, Russie (?), Fabergé (?)
The four seasons as reverse glass paintings, Alsace early of the 19th century.
An oil painting on cardboard, 1885, by Louis Frédéric Schützenberger (1825-1903).
A statue of the Virgin with polychromy first half of the 18th century.
A sculpture of a woman made in the beginning of the 20th century by Ernst Seger (1868-1939).
A small flammed stoneware vase made in Soufflenheim, Léon Elchinger (1871-1942), circa 1920.
A watercolor made by Lothar von Seebach (1853-1930) presenting a landscape.
An engraving entitled “Straßburger Münster Thurm” printed in 1700-1750.
An engraving entitled “L’église cathédrale de Strasbourg” printed in 1700-1750.
A set of silver-gilt fork, spoon and knife, made in Strasbourg in 1819-1839 by the silversmith Jean-Louis Buttner.
A souvenir glass, engraved and cut, presenting the Strasbourg Cathedral, circa 1850-1870.
A pair of silver candlesticks made in Paris in 1772-1775 by the silversmith Pierre-François Goguelye ou Gogly
Une peinture à huile sur toile réalisée au cours de la seconde moitié du XVIIe siècle, aux Pays-Bas, et présentant une nature morte.
An earthenware tiles made in Rotterdam, in Netherlands, during the 18th century.
An earthenware tile made in Rotterdam, in Netherlands during the 18th century.
An earthenware tile made in Rotterdam, in Netherlands, during the 18th century.
An earthenware tile made in Rotterdam, in Netherlands, during the 18th century.
A glazed ceramic baking pan, made between the late 18th and early 19th centuries.
A glazed ceramic baking pan, made between the late 18th and early 19th centuries.
An oil painting on wooden panel made by David Ortlieb (1797-1875) in the middle of the 19th century.
A pen drawing on paper made in 1834 by Alidale, presenting the prayer to God by Voltaire.
Une série de cuillères et fourchettes en vermeil réalisée à Strasbourg par la veuve de l’orfèvre Jean-Frédéric Fritz, en 1779-1780.
A pair of portraits on oil painting on canvas made in the middle of the 18th century, and presenting the first mayor of Lyon and his wife.
An earthenware plate made in Strasbourg, Jospeh Hannong, circa 1765-1770.
An earthenware trompe-l’oeil in asparagus made in Niderviller circa 1750-1760.
A cast-iron statue, Joannes Gutenberg, made circa 1839, after David d’Angers.
An oil painting on canvas made by Charles Zeyssolff (1910-1967) in the middle of the 20th century, and showing a still-life.
A staircase decoration element in carved wood, made in the middle of the 18th century.
A silver-gilt beaker made in the end of the 19th century, and presenting hunting scene.
Un poêle en faïence ovale réalisé vers 1850-1870 dans les ateliers de Joseph Hugelin à Strasbourg.
A small doll writing desk with walnut inlay, the first half of the 19th century.
A silver and cristal drageoir, made between 1798 and 1809 in Strasbourg by the silversmith Jean-Louis Buttner.
An alsatian chair with carved backseat, made during the second half of the 17th century.
A Chinese porcelain plate made circa 1760-1780 and showing a floral decoration.
A netsuké in carved wood, made during the second half of the 19th century in Japan.
A silver medallion with a napoleonic battle, made circa 1810-1815 in Strasbourg by Jacques Frédéric Kirstein (1765-1838).
A pair of silver salvers made in 1757 in London by the goldsmith James Morrison.
A pair of waxed canvases made during the late 18th century, and showing a floral decoration.
A porcelain group made in the end of the 18th century, circa 1790, in the manufacture of Niderviller.
An oil painting on canvas made by André Schmitt (1888-1961) during the first half of the 20th century, and depicting a scene from L’Ami Fritz.
A poster in colour with the cathedral of Strasbourg, made circa 1924, René Allenbach (1889-1958).
A hymn book with silver clasps made in Strasbourg by Johann Steinemann circa 1770.
An oil painting on canvas made by André Schmitt (1888-1961) during the first half of the 20th century, and depicting a scene from L’Ami Fritz.
A plate in faience made in Strasbourg, Joseph Hannong, with a Chinese fisherman, circa 1765-1770.
An oil painting on canvas made by Louis-Philippe Kamm in 1937, and showing a portrait of a farmer.
An oil painting on canvas made by Lucien Haffen ( 1888-1962), and showing a view with a water mill in Waldersbach.
A reverse glass painting made in Elsass during the first half of the 19th century, and showing saint Catherine.
A cylindric bronze mortar with its pestle, made in the upper Rhine region (Alsace?) and dated 1708.
A pewter plate made circa 1700 and showing a two-headed eagle of the German empire.
A corner cabinet in walnut veneer on softwood, made during in the middle of the 18th century in Dresde.
A panel of marquetry made by Paul Spindler ( 1906-1980) circa 1930, and showing a view of a village.
A reverse glass painting made circa 1750-1770 in Augsburg, and showing a dancing couple.
A fan project made with gouache on paper during the second half of the 17th century, and showing a mythological story.
An oil painting on panel made during the first half of the 20th century, showing Rouget de Lisle ( 1760-1836).
An oil painting on canvas made by André Herpin (1880- 1940), during the first half of the 20th century.
A reverse glass painting with bust of Christ., first half of the 19th century.
A silver-gilt butter shovel with a blackened wood handle, made in Aachen circa 1830
A black chalk drawing on paper made by Emile Schneider (1873-1943), circa 1900, showing a young woman.
A Bohemian cristal bowl made circa 1870, and showing nines views of Baden-Baden.
Un plat ovale en faïence de Rouen, décor à la double corne d’abondance, XVIIIe siècle.
Auricular mirror with the baker’s emblem, 1660 – 1670, Strasbourg or Basel.
Oil on canvas signed in the lower right corner by Charles Husslein (1894-1971) painted in the 1920s.
A gouache on paper showing “work at the silo” by Auguste Cammissar (1873-1962) in 1941.
A blue and white earthenware pitcher from Ansbach in the late first half of the 18th century. The pitcher has a rich blue and white decoration with a work of scrolls. The village is certainly a Bavarian village.
A Master’s degree was written on 7th April 1911 in Strasbourg. The design was created by Elmer William Pirson and printed in chromolithography by F. Gabelmann.
A pair of carved wooden statuettes, late 18th century, early 19th century, Italy, Tyrol ?
A round engraved ceremonial dish made in Abbeville (Somme, France) in 1782 by the French merchant and pewtersmith Pierre-Honoré Nicolas Dairaines.
A ceramic by Alfred Marzolff (1867-1936), representing a lioness, Soufflenheim, Léon Elchinger (?) workshop, 20th century.
A faience “patronymic” pitcher from Durlach, representing a weaver at his loom, early 19th century.
A pair of silver two-armed torches with rocaille ornamentation, 1761-1763.
Box with a straw marquetry base and straw embroidery decoration, circa 1700.
A pair of oil paintings on canvas presenting two landscapes, Christoph von Bemmel (1707-1782).
An oil painting on canvas representing a view of Strasbourg, Lucien Blumer (1871-1947).
A pair of faience tobacco jars, attributed to Brussels, showing Chinese, monkeys, circa 1820-1830.
Une peinture à l’huile sur toile représentant un bouquet de fleurs, Lucien Haffen (1888-1968).
Polychrome wooden carved statuette representing an artisan, 1820-1840.
Terracotta candlestick from Soufflenheim, representing a woman, 1920-1930.
Pair of silver-gilt mounted crystal sugar casters, Saint-Petersburg end of the 18th century-beginning of the 19th century.
A faience plate from Roanne presenting a putto holding a vase in grand feu technique, end of the 18th century.
An enameled pipe clay statuette presenting a shepherd and a flower girl, Niderviller, circa 1760 – 1780.
An enameled pipe clay statuette presenting a shepherd, Niderviller, circa 1760 – 1780.
Enameled pipe clay statuette presenting a winter allegory, Niderviller, 1760 – 1780.
Four faience plates from Tournai presenting floral ornaments in petit feu technique, end of the 18th century.
A faience plate presenting a landscape in blue, Toul-Bellevue, circa 1820-1830.
A Nevers faience plate presenting blue ornaments in grand feu technique, second half of the 17th century.
A Nevers faience vase with a lid presenting a hunting scene from the second half of the 18th century.
A Miniature of a influent French letter woman of the late 18th century or first half of 19th century.
A wooden panel with bones inlay, Asia, beginning of the 20th century.
Military and Alsatian engraving about the “Bénédiction à l’Autel de la patrie”.
Engraving of the monument gave to the people after the treaty of Ryswick (1697).
A lithography presenting a souvenir of the conscription, mid 19th century.
Engraving of the Strasbourg town hall plunder during the Revolutionary, late 18th century.
Lithography of a republican celebration from Strasbourg, mid 19th century.
Lithography of a republican celebration from Strasbourg.
Historic lithography of the massacre of the hostages in the Parisian prison of the Roquette, late 19th century.
A watercolor painting on paper presenting a view of Klingenthal, made by Charles Greyenbühl, mid 20th century.
A glazed terre de pipe plate, Lunéville in Manufacture Chambrette circa 1770
An octogonal plate in faience of Strasbourg, first half of the 18th century.
A statuette in pipeclay made in Niderviller under the Comte de Custine, circa 1775.
A watercolor on paper with ink presenting a bucolic scene with stork, Benjamin Zix circa 1800-1805.
A plate in faïence of Strasbourg, Paul Hannong, circa 1754 – 1762.
A rococo looking-glass carved and gilded in wood, made in Germany, mid 18th century.
A Salvator Rosa gild wood frame made in Rome, Italy, end of the 17th, beginning of the 18th century.
A mahogany tripode pedestal table with round black marble top, Empire style.
Four drawings with ink on paper presenting street professions, Alsace (?) circa 1810-1820
Bohemian Ruby glass beaker with engravings of four view of the Romantic Rhine River, circa 1850-1870.
A plate in faience made in Savona, presenting a putti in the middle, 17th century.
A sewing box built with pine wood and covered with darkened marquetry, second quarter of the 18th century.
A pair of Alsatian chairs with carved walnut backrests, end of the 17th century, beginning of the 18th
An oil on canvas painting showing a timber-framed house in a rural landscape, René Allenbach first half of the 20th century.
An oil painting on cardboard presenting an Alsatian festival, circa 1920-1930 Jean-Jacques Haffner
A wax statue of Saint John the Baptist in a glass showcase, made around 1780.
A papier-mâché statuette presenting man in redingote, circa 1770-1790
A Bible engraved silver clasps, printed in 1756 in Altona (Hamburg)
A faience platter of Strasbourg, Joseph Hannong, circa 1765 – 1770
A Biedermeier colored and transparent glass beaker, Bohemia mid 19th century
A gilded and painted wooden carved sculpture presenting Saint John of Nepomuk, circa 1750 South Germany
A lavished engraving on paper presenting Guémar in Alsace, François Walter 1785
A lavished engraving on paper presenting Kaysersberg castle in Alsace, François Walter 1785
Une chope de réserviste allemande en porcelaine avec couvercle en étain, Fribourg-en-Brisgau 1906-1908
An engraving on silk with the firework for Maria Josepha of Saxony, Strasbourg 1747
A looking glass made in Murano, Venise, made entirely in glass 19th century
A table fountain made in faience of Strasbourg, Paul ou Balthazar Hannong
A group of characters carved in limewood presenting the Flagellation of Christ, made in Germany
A faïence je pitcher made in Strasbourg, Joseph Hannong, circa 1770
A flared neck flower vase in blown and rolled multilayered glass, Nancy Emile Gallé (1846-1904)
Tall statue of a woman with ancien polychromy, made in Italy or France
A terra-cotta presenting a Madonna and Child, Le Mans end of the 17th century
A terra cotta medallion presenting a bust of a woman, by Théodore Deck in 1850
A gilt-silver round box with Catherine the Great, made in Moscou circa 1790
A George III silver tantalus, London 1816 by William Bateman I (1774 – 1850)
A silver teapot, Cologne circa 1746 – 1761 by Hermann Joseph von der Rennen (1728 – 1779)
Watercolour presenting a Sacred Heart ex-voto, made in the second half of the 17th century.
Wash drawing on paper presenting a landscape with shepherds after Philippe Jacques de Loutherbourg (1740-1812).
A copper engraving presenting a view of the city Kaysersberg (Alsace), made in 1824 by Johann Friedrich Helmsdorf (1783-1852).
A ochre patina plaster statuette presenting a monument project for the king of France Charles X (1824-1830).
A Strasbourg faience display stand for terrine, Paul Hannong.
An enameled « terre de pipe » bough pot with gold highlights made in Lunéville or surrounding area, traditionally attributed to Saint-Clément in Lorraine.
A Strasbourg faience plate, made by Paul or Balthasar Hannong.
A Strasbourg gilded silver beaker, between 1749 and 1751, by the silversmith Jean-Louis III Imlin.
A Strasbourg faience lobed tray, Paul or Balthazar Hannong. Decor of mixed technic with polychrome black roots Indian flowers and fantastic insects.
A glazed terre de Lorraine plate, made in Lunéville in Manufacture Chambrette between 1765-1770.
Monday | - | 2:30pm - 7:00pm |
Thuesday to Friday | 10:00am - 12:00am | 2:30pm - 7:00pm |
Saturday | 10:00am - 12:00am | 2:30pm - 6:00pm |
Closing at 18:00 the eve of public holidays.
Closed on public holidays.
Available by appointment.