| Monday | - | 2:30pm - 7:00pm |
| Thuesday to Friday | 10:00am - 12:00am | 2:30pm - 7:00pm |
| Saturday | 10:00am - 12:00am | 2:30pm - 6:00pm |
Closing at 18:00 the eve of public holidays.
Closed on public holidays.
Available by appointment.
An round Alsatian marquetry from Paul Spindler presenting the Bollwerk Tower in Mulhouse.
Pair of allegories of Painting and Sculpture, attributed to Christian Bernhard Rode, Berlin circa 1750 – 1760
A porcelain elephant, Samson Manufactory, second half of the 19th century.
Un reliquaire en bois sculpté, doré et polychrome, présentant une croix portée par un pape.
A soft paste porcelain biscuit, Le Petit Vendangeur, Sèvres, circa 1770-1780
An oil on panel “Little Red Riding Hood”, Eugène Modeste Edmond Le Poittevin (1806-1870).
A black patinated bronze “Canard sur l’eau”, circa 1960 by François Pompom.
A Gothic-style finial in pink sandstone dating from between the 18th and 19th centuries.
Une statuette en terre de pipe émaillée présentant une allégorie de l’hiver, seconde moitié du XVIIIe.
Paire de médaillons en marqueterie de bois de Charles Spindler (1865-1938).
An oil-on-panel figuring the portrait of a lady, by Thomas Hovenden (1840 – 1895)
A Famille rose porcelain round dish, East India Company, circa 1750 in China.
A silver and silver-gilt milk pot, 1827-1838 in Paris by Charles-Nicolas Odiot.
An oil painting on copper presenting saint Christopher carrying the Christ Child, circa 1700 in Spain
An ink drawing presenting two recumbent effigies as a couple, by Hans Haug, circa 1923.
A porcelain cup and saucer, Sèvres between 1802 and 1803 with antique decorations.
An oil painting on cardboard, 1885, by Louis Frédéric Schützenberger (1825-1903)
A terra-cotta vase, Léon Elchinger, Soufflenheim, Alsace, early 20th century.
A sculpture of a woman made in the beginning of the 20th century by Ernst Seger (1868-1939).
A small flammed stoneware vase made in Soufflenheim, Léon Elchinger (1871-1942), circa 1920.
An ensemble composed of a pair of silver salt cellars and mustard pot, Paris 1809-1819, silversmith L.N. Naudin.
A patine bronze bust showing a crying Alsatian woman. Model by Jean-Louis Grégoire
A pair of silver candlesticks made in Saint-Malo (Brittany) in 1772-1775.
Une peinture à huile sur toile réalisée au cours de la seconde moitié du XVIIe siècle, aux Pays-Bas, et présentant une nature morte.
A mold-blown lamp made in the Muller manufactory, in Lunéville, in the first half of the 20th century.
A panel of marquetry made by Charles Spindler (1865-1938) in the early 20th century.
An oil painting on wooden panel made by David Ortlieb (1797-1875) in the middle of the 19th century.
A table in marquetry made by Paul Spindler (1906-1980), circa 1950, showing a view from Obernai.
A bronze statue made in the end of the 19th century, and presenting François Rabelais (1483-1553).
A pair of portraits on oil painting on canvas made in the middle of the 18th century, and presenting the first mayor of Lyon and his wife.
A porcelain statuette made after Albert Schultz (1871-1953), and presenting a Gänseliesel.
A porcelain gänseliesel, Albert Schultz (1871-1953), in the beginning of the 20th century.
A panel of marquetry made by Paul Spindler (1906-1980) circa 1950, and showing the cathedral of Strasbourg.
A pair of glass vases made by Francois-Théodore Legras (1839-1916) in the glassware of Mont-joie, end of the 19th century.
A gypsum “Gänseliesel” made by Albert Schultz(1871-1953) during the first half of the 20th century.
An earthenware plate made in Nevers circa 1779, and presenting Saint John the Baptist.
An oil painting on wooden panel made by Karl Truppe (1887-1959) in 1941, an presenting a female nude.
An oil painting on canvas made by Lothar von Seebach (1853-1930) in 1883 and presenting a still-life.
An oil painting on wood panel made by Karl Truppe (1887-1959) in 1941, and presenting a feminine nude.
A flammed stoneware vase, Elchinger Soufflenheim beginning of the 20th century.
An oil painting on canvas made by Lucien Haffen (188-1968) in the middle of the 20th century, and showing a spring landscape.
A watercolor on paper made by Gustave Krafft (1867-1910) in the end of the 19th century, and showing a view from Hausbergen.
An oil painting on canvas made by Charles Zeyssolff (1910-1967) in the middle of the 20th century, and showing a still-life.
A porcelain bust made in 1873 after Paul Duboy (1830-1887), and showing a young Alsatian woman.
Une statuette en bronze réalisée au cours de la première moitié du XIXe siècle et présentant un singe tenant un perroquet.
A glazed terra cotta vase made circa 1870-1880 in the manufacture of Sarreguemines.
A copperplate engraving, circa 1750 and showing festivities in honor of Louis XV.
A set of four Alsatian walnut chairs, made during the end of the 18th century or beginning of the 19th century.
A silver and cristal drageoir, made between 1798 and 1809 in Strasbourg by the silversmith Jean-Louis Buttner.
An alsatian chair with carved backseat, made during the second half of the 17th century.
A grey and green earthenware round stove, made circa 1850-1870, in Joseph Hugelin’s workshop.
A Chinese porcelain plate made circa 1760-1780 and showing a floral decoration.
A pair of waxed canvases made during the late 18th century, and showing a floral decoration.
A porcelain group made in the end of the 18th century, circa 1790, in the manufacture of Niderviller.
A feather plume box in painted papier-mâché, made in Iran during the first half of the 19th century.
An oil on copper made in the beginning of the 19th century, and showing a portrait of a woman.
A glazed terra-cotta vase made in Soufflenheim, in Alsace, beginning of the 20th century.
A plate in faience made in Strasbourg, Joseph Hannong, with a Chinese fisherman, circa 1765-1770.
A glazed terra-cotta pitcher made in Soufflenheim, in Alsace, in the beginning of the 20th century.
A glazed terra-cotta vase made in Soufflenheim, in Alsace, in the beginning of the 20th century.
A porcelain group made at the end of the 18th century, in the Royal Porcelain Factory in Berlin.
A glazed-terra cotta vase made in Souffleinheim, in Alsace, in the beginning of the 20th century.
A reverse glass painting made in Elsass during the first half of the 19th century, and showing saint Catherine.
A large glazed terra-cotta vase made in Soufflenheim by Leon Elchinger (1871-1942), in the beginning of the 20th century.
A panel of marquetry made by Paul Spindler ( 1906-1980) circa 1930, and showing a view of a village.
A copperplate engraving made during the 17th century, and showing the cathedral of Strasbourg.
Un tableau de marqueterie réalisé par Paul Spindler (1906-1980) vers 1950, et présentant une vue depuis les quais de l’Ill sur la cathédrale de Strasbourg.
An oil painting on canvas made by André Herpin (1880- 1940), during the first half of the 20th century.
A wooden marquetry made by Paul Spindler (1906-1980) circa 1950, and showing a view of Colmar.
A gilt-metal and steel hunting travel set in his leather case, made circa 1700.
An oil painting on panel made by Giulio del Torre (1856-1932) in 1898, and showing two young boys playing cards.
An oil painting on canvas made by Lucien Haffen (1888-1968) circa 1950, and presenting a conscripts’ celebration.
An oil painting on wood panel, by Olivier Charles de Penne (1831-1897) depicting a hunting scene.
A black chalk drawing on paper made by Emile Schneider (1873-1943), circa 1900, showing a young woman.
Une statue en bronze patiné réalisée par Jean Jules Salmson au cours de la deuxième moitié du XIXe siècle, et présentant Bélisaire.
An oil painting on canvas made by Marcel Dyf ( 1899-1985) during the 20th century, and presenting a young woman face to his mirror.
A wooden panel painting presenting a drunken Silenus, Cornelis van Poelenburg, 17th century.
EA dish in faience made for serving fish, Lunéville, circa 1770-1780.
A vase in terra cotta made in Souffleinheim, in Alsace, beginning of the 20th century.
A set of Louis XV walnut armchairs and chairs stamped in the back “Nogaret à Lyon”.
A lion in faience made in Saint-Clément, end of the 19th century, beginning of the 20 century.
A watercolor engraving on paper which is a view of Strasbourg Cathedra, end of the 18th century.
A marquetry made by Paul Spindler (1906-1980), presenting Dambach-la-Ville, mid 20th century.
A drawing based on two colors technique, cat and dog fight, after Oudry (1686-1755).
An oil on canvas by Robert Heitz (1895-1984) signed on the reverse of the canvas. The date of execution is unknown.
A gouache on paper showing “work at the silo” by Auguste Cammissar (1873-1962) in 1941.
A hard-paste porcelain cup and saucer set, made by the Fürstenberg (Swabian) factory, 19th century.
A painting of a tavern scene with a conscript, by the Alsatian painter Albert Bayer (1895-1967).
A blue and white earthenware pitcher from Ansbach in the late first half of the 18th century. The pitcher has a rich blue and white decoration with a work of scrolls. The village is certainly a Bavarian village.
A Master’s degree was written on 7th April 1911 in Strasbourg. The design was created by Elmer William Pirson and printed in chromolithography by F. Gabelmann.
Une pendule en forme d’ovoïde pointe en bas, en bronze doré réalisée par un atelier parisien, probablement celui d’André-Antoine Ravrio (1759-1814), cadran en émail signé « Courtener à Strasbourg », vers 1804-1815.
Un coffret de courtoisie en bois de hêtre polychrome, de facture alsacienne, réalisé dans la seconde moitié du XVIIe siècle.
Une chaise en noyer au dossier ajouré, avec un motif d’entrelacement de bretzels, du milieu du XIXe siècle.
A fine earthenware coffee pot with braided handle, made in Septfontaines by Villeroy and Boch factory in Luxembourg, end of the 18th century.
A pair of porcelain medicine jars, decorated with intertwined snakes, made in Paris circa 1820-1840.
An oil on canvas depicting a view of the Rhine port in 1938, by the painter Jacques Gachot (1885-1954).
A ceramic by Alfred Marzolff (1867-1936), representing a lioness, Soufflenheim, Léon Elchinger (?) workshop, 20th century.
Marquetry artwork by Paul Spindler (1906-1980), presenting a view of the Murbach Abbey (Alsace).
A faience wall fountain by Paul or Balthazar Hannong, with blue and white grand feu decoration, on a theme related to water, circa 1735-1748.
A wrought iron and brass chest lock, presenting the names of the members of Strasbourg sachetier’s guild, 1708.
An oil painting, representing a winter landscape, by Léo Schnug (1878-1933), around 1910.
A pair of pewter communion ewers, made by Jean-Philippe Korn, late 18th – early 19th century.
An oil painting depicting a drinker in an interior, by Léo Schnug (1878-1933), 1903.
An oil painting on cardboard, representing a knight and his squire, Robert Heitz (1895-1984).
A pair of oil paintings on canvas presenting two landscapes, Christoph von Bemmel (1707-1782).
A Baden-Baden souvenir glass, engraved and cut, presenting the Strasbourg Cathedral, circa 1860-1890.
An oil painting on canvas representing a view of Strasbourg, Lucien Blumer (1871-1947).
A pair of faience tobacco jars, attributed to Brussels, showing Chinese, monkeys, circa 1820-1830.
Une peinture à l’huile sur toile représentant un bouquet de fleurs, Lucien Haffen (1888-1968).
A blue enamelled faience plate, made by Théodore Deck (1823-1891), second half of the 19th century.
An enamelled pipe clay statuette presenting an allegory of Winter, 1785-1790.
Faience statuette, representing a man dressed in the Louis-Philippe fashion, 2nd quarter of the 19th century.
A pair of cut-glass/cristal decanters with silver mounts, Stuttgart by Eduard Foehr Firm circa 1900.
A pair of dressed up pictures presenting «pastor bonus» and «pastora bona», 18th century.
A terra-cotta bust presenting an Alsatian Young Woman called « Gänseliesel », Albert Schultz (1871-1953), beginning of the 20th century.
Six pewter candlesticks, circa 1800 Strasbourg by Jacques Frédéric Borst (1769 – circa 1810).
A wooden marquetry presenting a view of Ribeauvillé and its three castles, Paul Spindler (1906-1980).
A wooden marquetry presenting the main entrance of the Boersch village in Alsace, Paul Spindler (1906-1980).
A wooden marquetry presenting a view of an Alsatian street, Paul Spindler (1906-1980).
An oil painting on canvas of a landscape presenting a canal, Charles Himmel (1894-1974).
A pair of enameled pipe clay statuettes presenting two characters, Niderviller, circa 1760 – 1780.
An enameled pipe clay statuette presenting a shepherd, Niderviller, circa 1760 – 1780.
An enameled pipe clay statuette presenting a bagpipe player, Lunéville, circa 17780 – 1780.
A ceramic vase made in Soufflenheim by Leon Elchinger, beginning of the 20th century.
A pair of porcelain statuettes presenting working children, Lanfrey, Niderviller, end 18th – beginning of the 19th century.
An orange multilayered blown glass vase from the Saint-Louis manufacture, beginning of the 20th century.
A bolt lock made out of rolled, cut and chased iron presenting an angel with two swords, circa 1550.
A bolt lock made out of rolled, cut and chased iron presenting two eagles, circa 1550.
An oil painting on canvas presenting a view of Strasbourg by André Schmitt (1888-1961).
A faience plate made in the Sant-Vicens manufacture and drawn by Jean Lurçat (1892-1966).
A faience plate made by the Sant-Vicens manufacture and Jean Lurçat (1892-1966).
A Nevers faience plate presenting revolutionary ornaments, end of the 18th century.
A small terracotta Einsiedeln Madonna with Child, as souvenir after a pilgrimage, 18th century.
A master piece cabinet in oak made a carpenter from Strasbourg, circa 1750.
A round painted pressed cardboard box presenting a scene with a working tailor, beginning of the 19th century.
A Sarreguemines stoneware tea pot with sprigged ornaments in an antique style, circa 1820-1830.
A Sarreguemines stoneware sugar bowl with sprigged ornaments in an antique style, circa 1820-1830.
A German faience pitcher presenting blue ornaments in grand feu technique. 17th century.
An oil painting on canvas presenting an Alsatian field landscape signed by René Allenbach.
A faience plate from Marseille, Robert, circa 1760.
A oil painting on wooden panel, beginning of the 20th century.
Alsatian watercolor with a potential view place of Dambach countryside (Alsace). Between late 19th century and start of 20th century.
Soft paste porcelain creamer and its lid with florals decoration, circa 1760.
Interactive panoramic lithography of Strasbourg around the late of the 19th century.
A lithographie titled « Panorama de Strasbourg et de ses environs » taken from Strasbourg’s cathedral, mid 19th century.
A xylographic engraving of rulers of Olympians watching Muses, 19th century.
Lithography of the interior (nave) of the Basel’s cathedral, mid 19th century.
Lithography of the great Portal of the Basel cathedral (Switzerland).
Lithography of a republican celebration from Strasbourg, mid 19th century.
Military lithography with an oriental’s inspiration, first half of the 19th century.
A color lithography extracted from army’s imagery of Alsace, STRASBOURG 1939.
A pair of Alsatian chairs with a sculpted backrest in walnut wood, end of the 18th century.
A pair of Alsatian chairs with a sculpted backrest in walnut wood, from the end of the 18th century.
A watercolor painting presenting an Alsatian landscape by Louis-Philippe Kamm, 1932.
A watercolor painting presenting two characters in Alsatian clothing by Dorette Muller.
A faience plate presenting floral ornaments in petit feu technique signed Gallé, end of the 19th century.
A 17th century oil painting on canvas presenting a still life with fruit baskets.
A gypsum copy of a bas-relief, presenting five feminine figures holding hands, also called « Borghese dancers », 19th century.
An oak miniature commode, also called “commode de courtoisie” or “commode de maîtrise”.
A polychrome wooden wedding chest from Switzerland, end of 18th – beginning of 19th century.
A bronze door knocker presenting a hand holding a sphere, end of the 18th – beginning of the 19th
An oil painting on canvas presenting an Alsatian summer landscape, signed by Georges Ritleng (1875-1972).
A marquetry presenting a view on a central place of the Alsatian city Obernai made by Paul Spindler.
A flemish oil painting on canvas presenting a still life with grapes, attributed to Frans Snyders’ workshop (1579 – 1657).
A pair of silver plates made in London during the first half of the XIXth century.
An oil painting on canvas representing an Alsatian landscape, signed G. Stoskopf (1869-1944).
An oil on canvas painting presenting a street view of Riquewihr, in Elsass, signed by Lucien Haffen (1888-1968).
A statuette in pipe clay presenting a stonemason, Luneville or thereabouts circa 1780-1790.
A faience square dish with Chinese man decor, Rambervillers (Lorraine) circa 1775.
A marquetry of wood presenting a view of an Alsatian chapel, Charles Spindler 1900-1920.
A faience display dish made in Strasbourg, Joseph Hannong circa 1770
A silver sugar sifter, made in Strasbourg by the silversmith Jacob-Friedrich Kirstein (1765-1838).
A statuette in pipe clay presenting the Winter, made in Luneville, Chambrette manufacture, circa 1750 – 1760.
A marquetry of wood presenting a reading Alsatian lady, by Charles Spindler circa 1900-1920.
A watercolor view of Strasbourg signed ” Laise ” for Charles Adam-Leonhard (1876 – after 1920).
A watercolor view of Strasbourg signed ” Laise ” for Charles Adam-Leonhard (1876 – after 1920).
An Empire painted silhouette of a child under glass with gilding, signed « C. Lhomme » Sarreguemines, 1s of August 1811
A bronze statue presenting a man, by Aimé Jules Dalou (1838-1902), Susse Frères Foundry.
A watercolor presenting a view of Strasbourg during the 14th of July 1919, Nils Forsberg fils
A faience relief medallion presenting Karl Theodor, Prince-elector and Count Palatine, Mosbach circa 1775.
An oil painting on canvas presenting a view of Strasbourg 1940 André Schmitt.
A watercolor presenting a project for concert poster, circa 1900-1910, attributed to Louis-Philippe Kamm.
A marquetry of wood presenting a view of Andlau (Alsace) signed C. Spindler for Charles Spindler (1865 – 1938).
A neoclassical (Louis XVI) mirror made in Strasbourg, circa 1780.
Une gravure sur cuivre présentant une vue de Strasbourg, first half of the 18th century.
An Alsatian chair with a sculpted backrest in walnut wood, end of the 18th – beginning of the 19th century
An Alsatian chair with a sculpted backrest in walnut wood, second half of the 18th century
A Transition mirror in carved and gilded wood, made in Strasbourg, circa 1760 – 1770.
A pair of Alsatian chairs with a sculpted backrest in walnut wood, second quarter of the 19th century
An oil painting presenting a portrait of a man made by Louis-Philippe Kamm (1882 – 1959)
A set of five Berlin silver plates with scalloped rim, c. 1750 Berlin by Christian Lieberkühn the Young.
A plate in faience made in Savona, presenting a putti in the middle, 17th century.
Three gouaches presenting different scenes of the Parable of the Prodigal Son, mid 18th century.
A drawing presenting Salome dancing the dance of the Seven Veils, made by Marie Loyse Amiet, beginning of the 19th century.
A pharmacy vase in faience made in Savona, Italy, made in the end of the 17th century.
A terra-cotta polychrome group with two men speaking together, Anton Sohn’s manufacture in Zizenhausen (Switzerland) circa 1830-1840
A pedestal table garnished with a looking glass in Bourbon Restoration style, circa 1825-1830
A table with a marbled top and two drawers, made during the First French Empire around 1810.
An Alsatian chair with a sculpted backrest in walnut wood, from the beginning of the 19th century.
A pair of wooden sculpted dolphins in varnished wood, made during the Second French Empire.
A small and richly detailed bronze statue made by Renaldi in the first half of the 20th century.
A small mirror made in Strasbourg in sculpted and gilded wood, made around 1760.
A Alsatian round marquetry of Paul Spindler, presenting the fortified church of Huhnawihr circa 1940.
A Alsatian round marquetry of J. (?) Aufderbruck, representing Mount Saint Odile and made between 1930 and 1940.
A gouache on paper representing the Rhine Falls in Schaffhausen, in Switzerland, circa 1830
A Louis XV double chest in walnut made in Strasbourg, circa 1760
An Alsatian bench made in pine wood around the end of the 18th century or the beginning of the 19th century.
A stained-glass window with a Virgin and Child in the Renaissance style, end of 19th-beginning of the 20th century
An oil on canvas painting showing a timber-framed house in a rural landscape, René Allenbach first half of the 20th century.
An oil on canvas painting representing a flower bouquet by Luc Hueber (1888-1974), made in 1956.
A round marquetry from Paul Spindler presenting a view of one of the rampart towers of Boersch.
A round Alsatian marquetry of Paul Spindler presenting a view of the witches’ tower of Châtenois.
An round Alsatian marquetry from Paul Spindler presenting a view of Strasbourg’s cathedral.
A copper engraving presenting a view of Sélestat, made by Barbier around the middle of the 18th century.
A copper engraving representing the arrival of Louis the 15th in Strasbourg, drawn by Jean Martin Weis and engraved by Jacques-Philippe Le Bas, made between 1746 and 1748.
A golden and patinated bronze clock in French Restoration style, with golden pinecones ornaments, from around the beginning of the 19th century..
A marquetry presenting a view of Ribeauvillé, where we can see its three castles in the background, made by Paul Spindler.
A copper engraving presenting the portrait of general Kléber, drawn by Dutertre and engraved by Monsaldi
A watercolor presenting a sapper portrait in profile, beginning of the 20th century Leo Schnug
A wax statue of Saint John the Baptist in a glass showcase, made around 1780.
A pair of Imari vases with floral decor, made in Japanese porcelain, made in the end of 19th century.
An oil painting on a wooden panel presenting a female portrait made by Honoré Umbricht.
An ink drawing representing three Alsatians female peasants, made by Louis Hesselbarth.
A pair of brass candlesticks with two branches, mid 18th century
Oil painting presenting a woman smelling flowers, made by Edouard François Zier.
An oil painting on canvas presenting a landscape in the manner of Johann Christoph von Bemmel (Nuremberg 1717 – Strasbourg 1782), end of the 18th century
A pair of George III silver salt cellars, 1805-1806 London Paul Storr (1771-1844)
Un flacon à sels ou à parfum en cristal taillé avec bouchon en argent, Belgique 1831-1868
A vase in glass presenting a decoration of branches and clematis flowers made by Emile Gallé (1846 – 1904)
A watercolor on paper presenting Strasbourg with the cathedral and the church Saint-Etienne, 1949
A bronze statuette presenting a child playing flute with a tricorn, circa 1770-1790
A gilded and black patina bronze chandelier, Restoration style, made between 1820 – 1830
An oil painting on canvas presenting a portrait of a man, Louis Philippe Kamm 1946
Une chevrette en faïence de Winterthour, époque fin XVIIème – début XVIIIème siècle
Chandelier in gilded bronze in the style of Pierre Gouthière
Une chope de réserviste allemande en porcelaine avec couvercle en étain, Fribourg-en-Brisgau 1906-1908
Une peinture à l’huile sur toile présentant saint Dominique de Guzmán recevant le Rosaire de la Vierge, Ecole siennoise du XVIIe siècle
An oil painting on canvas presenting a bunch of white and violet lilacs, set in a vase, signed “Seebach” for Lothaire von Seebach
A picher in faience made in Moustiers, manufacture Olérys, decorated with many scenes
A bas-relief carved in oak presenting the Deliverance of Saint Peter, signed by A. Herluison, and dated 1772
A neoclassical (Louis XVI) looking glass mirror made in Strasbourg
Oil painting presenting two putti attributed to Jean Jacques Sorg 18th century
A statuette carved in polychromed wood presenting saint Joseph in an exotic setting, Alsace
Sainte Anne trinitaire en bois sculpté polychrome réalisé dans l’entourage de Hans Wydyz, vers 1500
An oil painting on hardboard presenting an Alsatian village with timbered houses, Emile Stahl
Statue en biscuit de porcelaine dure présentant un jeune pâtre, Niderviller.
An oil painting on canvas presenting Tivoli’s waterfall (near Rome, Italy), attributed to Jan Frans van Bloemen
Une peinture à l’huile sur panneau d’isorel présentant une vue parisienne la place de la Concorde, réalisée par Henri Vincenot
A pot a jus in faience of Moustiers with floral decoration, 18th century
An oil painting on hardboard presenting a Parisian view with Notre-Dame, made by Henri Vincenot
Une marqueterie de bois présentant une vue de Strasbourg depuis la Petite-France, Paul Spindler (1906-1980)
Une aquarelle sur papier présentant une vue de la cathédrale de Strasbourg depuis les toits
A flared neck flower vase in blown and rolled multilayered glass, Nancy Emile Gallé (1846-1904)
An oil painting on canvas presenting a still life with bouquet of flowers, by Robert Breitwieser in 1941
A watercolour presenting a view of Strasbourg with the Petite-France swimming pool, Emmanuel Meyer (1836-after 1902) circa 1900
An statuette presenting a « Gänseliesel », beginning of the 20th Century by Albert Schultz (1871-1953)
A oil on canvas presenting a landscape near a watercourse, signed by Louis Wagner (1918 – 1981)
A French Revolution plate with the Liberty Tree, East of France circa 1792-1800
A gouache on paper presenting a miniature with an Old Testament scene, Strasbourg by Friedrich Brentel in 1648
A pair of Joseph Hannong square faience dishes for hors-d’œuvre, Strasbourg circa 1764-1765—1770
A bronze statuette presenting a « Gänseliesel », beginning of the 20th Century by Albert Schultz
An oil painting on hardboard presenting a still life, by Luc Hueber (1888-1974) circa 1950
A plaster female bust from a model of Nikolaus Gerhaert (circa 1420-1430 — 1473), circa 1860-1870
A cut crystal souvenir box with Kehl neogothic bridge on the Rhine river next to Strasbourg, 1861-1871
An oil painting on cardboard presenting a countryside landscape, by Robert Breitwieser in 1943
A ceramic soliflore vase with “flammé” decor, by Léon Elchinger (1871-1942) Soufflenheim 1899 – 1919
A gilded silver chalice, Lyon by Jean Vazel second quarter of the 17th century
A marquetry made by Paul Spindler (1906-1980) presenting a view of the castle of Saint-Ulrich in Alsace
Oil painting on cardboard made by Emile Schneider (1873 -1947), presenting the Seine
A silver-gilt goblet, Strasbourg middle of the 18th century by Johann Philip FUCHS
A pair of silver candlesticks made in Orléans in 1770 – 1772 by Pierre IX Hanappier
A pair of silver candlesticks made in Paris in 1768-1769 by the silversmith Edmé-Pierre Balzac
A gilt silver and mother-of-pearl cutlery, Paris 1798 by François-Charles Gavet
A silver-gilt beaker with niello, made in Moscou (Russia) in 1846.
A Rococo service silver spoon, Augsburg between 1753 and 1755 by Salomon Dreyer
A silver-gilt goblet, made in Strasbourg between 1767 and 1768 by Ehrlen
A Louis XV silver-gilt ecuelle, cover and stand, Paris 1754-1755 and 1765-1766.
A pair of silver candlesticks made in Bordeaux between 1778 and 1779.
Large ceramic planter made circa 1905 – 1918 in Soufflenheim (Alsace) by Léon Elchinger (1871-1942).
An oil painting on canvas presenting a female nude made by Lothaire von Seebach (1853-1930) in 1910.
Oil painting on canvas presenting a portrait of Miss Mary, made circa 1910-1915 by Lothaire von Seebach (1853-1930).
Barrel shaped vinegar maker on four feet, made in stoneware probably in the Westerwald.
A mix-technic drawing on paper, signed “C. Spindler 1915” for Charles Spindler (1865 – 1938).
A miniature on ivory presenting a portrait of a woman, made in England in the end of the 18th century.
Alabaster ovale medallion presenting a gentleman profile, made in the end of the 17th century or beginning of the 18th century.
A copper engraving presenting a seditious image. In the centre, a urn hides Louis XVI’s profile.
Small commode, known as « commode de courtoisie », made in pinewood and walnut (veneer and solid), circa 1820-1840.
A pewter round dish, made between 1676 and 1713 in Nuremberg (Germany) by the pewtersmith Michael Höss.
Pair of pewter candlesticks, made circa 1800 in Strasbourg by the pewtersmith Jacques Frédéric Borst (1769 – vers 1810).
A faience « en baroc » terrine (tureen) and display dish, made in Strasbourg by Paul Hannong.
A pyramid in faience of Paul or Balthasar Hannong, realized in Strasbourg, around 1735 – 1754.
An earthenware tray with duckling and crayfish, made in 1889 by Edmond Lachenal (1855-1948).
A Strasbourg faience plate, made by Paul or Balthasar Hannong.
A porcelain reservist tankard made circa 1905 for the artillery regiment of the German army in Strasbourg.
Plaster scale model presenting the Marseillaise, made by Alfred Marzolff (1867-1936).
Une aquarelle sur papier présentant une vue de Châtenois (Alsace), réalisée par Gustave Krafft (1861-1927).
An oil painting on panel pressenting a Switzerland mountain landscape, made by Maurice Achener
Une marqueterie de bois présentant une vue de Kaysersberg, dans le Haut-Rhin au nord de Colmar
A mixed-technique drawing presenting a view of the village of Bergheim by Georges Daubner (1865-1926)
Miniature on ivory presenting a portrait of a young man, Jean Chrétien Kirchner, made by Huel in 1818
Un petit miroir rocaille de style strasbourgeois en bois mouluré, sculpté et doré
Une peinture à l’huile sur toile présentant un paysage d’automne par Lucien Haffen (1888-1968)
A pair of faience plates made in Luneville or its surroundings, with decor of birds on branchs
Un mortier en bronze et son pilon à patine brune sombre, réalisé par le maître IC-IF du Puy-en-Velay¹
Six cuillères à café en argent doré de modèle uni plat dans leur écrin en maroquin, réalisées à Bâle par Johann Peter Schaltenbrand
Un cadre de tableau rectangulaire en chêne sculpté et doré réalisé en Allemagne centrale
A Strasbourg faience plate, Paul Hannong, « petit feu » polychrome decor with rose in fine quality.
| Monday | - | 2:30pm - 7:00pm |
| Thuesday to Friday | 10:00am - 12:00am | 2:30pm - 7:00pm |
| Saturday | 10:00am - 12:00am | 2:30pm - 6:00pm |
Closing at 18:00 the eve of public holidays.
Closed on public holidays.
Available by appointment.